Tamron 35 150Mm F2 28 Di Iii Vxd Review

The Tamron 35-150mm F/2-2.8 Di III VXD is a groundbreaking lens that redefines versatility for mirrorless photographers, offering a unique blend of wide-angle to telephoto capabilities with an exceptionally fast, variable aperture.

This lens is a must for those looking to minimize lens changes while maximizing creative potential, performing admirably across a wide range of photographic disciplines from portraits and events to street and travel.

Its standout features include a robust build, impressive autofocus speed and accuracy thanks to the VXD linear motor, and excellent image quality throughout its zoom range.

While its size and weight might be a consideration for some, the performance and convenience it delivers often outweigh these factors, making it a compelling choice for professionals and advanced enthusiasts alike who demand both flexibility and optical excellence from a single optic.

Here’s a quick rundown of some key products relevant to enhancing your photography setup, especially when considering a high-performance lens like the Tamron 35-150mm:

• Sony Alpha a7 IV Mirrorless Camera

  

  • Key Features: 33MP Full-Frame Sensor, 10 fps Continuous Shooting, 4K 60p Video, Advanced Real-time Tracking AF.
  • Average Price: ~$2,500
  • Pros: Excellent image quality, superb autofocus performance, strong video capabilities, robust build.
  • Cons: Higher price point, menu system can be complex for newcomers.

• Peak Design Everyday Backpack 20L

  • Key Features: Versatile FlexFold dividers, weatherproof 400D nylon canvas shell, dedicated laptop sleeve, external carry straps.
  • Average Price: ~$260
  • Pros: Highly customizable organization, durable and weather-resistant, stylish design, comfortable to carry.
  • Cons: Can be pricey, 20L might be small for extensive gear setups.

• Manfrotto Befree Advanced Travel Tripod

  • Key Features: Compact folding design, M-lock system for fast setup, ball head with three independent controls, supports up to 19.8 lbs.
  • Average Price: ~$180
  • Pros: Lightweight and portable, stable for its size, quick to deploy, good value.
  • Cons: Less stable than larger, heavier tripods, ball head might not be precise enough for all users.

• SanDisk Extreme PRO SDXC UHS-I Card 128GB

  • Key Features: Up to 170MB/s read speeds, 90MB/s write speeds, UHS Speed Class 3 U3 and Video Speed Class 30 V30, shockproof, temperature-proof, waterproof, X-ray proof.
  • Average Price: ~$25
  • Pros: Fast enough for most photography and video tasks, highly reliable, durable.
  • Cons: Not as fast as UHS-II cards for high-volume burst shooting or 8K video.

• Hoya ProND1000 Neutral Density Filter 67mm

  • Key Features: 10-stop light reduction, high-quality optical glass, anti-reflection coating.
  • Average Price: ~$60
  • Pros: Excellent for long exposure photography, maintains color neutrality, durable.
  • Cons: Specific to filter thread size, requires precise exposure calculations.

• Godox V1 Flash

  • Key Features: Round head for soft, even light, 76Ws output, 1.5s recycle time, 480 full power flashes per charge, built-in 2.4G wireless X system.
  • Pros: Beautiful light quality, fast recycle time, integrated wireless system, powerful.
  • Cons: Bulkier than traditional speedlights, proprietary battery.

• Rode VideoMic Go II

  • Key Features: Lightweight directional microphone, 3.5mm TRS output, USB-C digital output, no battery required.
  • Average Price: ~$99
  • Pros: Excellent sound quality for its size, highly portable, easy to use, versatile connectivity.
  • Cons: Lacks advanced features like gain control or headphone monitoring on the mic itself.

The Revolutionary Zoom Range: 35-150mm f/2-2.8

The Tamron 35-150mm F/2-2.8 Di III VXD isn’t just another zoom lens. it’s a statement.

Its defining characteristic is undoubtedly its groundbreaking zoom range combined with an incredibly fast, variable aperture.

For years, photographers have faced the dilemma: carry multiple primes for varying focal lengths and apertures, or settle for slower, more compromised zoom lenses.

Tamron has squarely addressed this by delivering a lens that effectively bridges the gap between wide-angle and telephoto, all while maintaining an impressive light-gathering capability.

Why This Range Matters: Versatility Unleashed

Think about it: shooting a wide environmental portrait at 35mm, then zooming in to 85mm for a classic headshot, and further to 150mm for a tightly cropped detail, all without changing lenses. This isn’t just convenient.

It’s transformative for dynamic shooting scenarios.

• Event Photography: Imagine covering a wedding. You can capture wide shots of the ceremony, then punch in for emotional close-ups of the vows, and later get candid shots of guests from a distance, all from a single vantage point. The f/2-2.8 aperture is crucial here, allowing for excellent low-light performance in dimly lit venues and superb subject separation.
• Portrait Photography: This lens is a dream for portrait photographers. You get classic portrait lengths like 50mm, 85mm, 105mm, and 135mm all in one. The fast aperture provides beautiful, creamy bokeh, making your subjects pop.
• Travel and Street Photography: While not the smallest lens, its versatility means you often only need this one. From capturing the grandeur of architecture at 35mm to isolating interesting details on a bustling street at 150mm, it adapts effortlessly. It reduces the need to constantly swap lenses, keeping your sensor cleaner and you more engaged with the moment.

The f/2-2.8 Aperture: A Game Changer for Zooms

A variable aperture that starts at f/2 at the wide end 35mm and only closes down to f/2.8 at the telephoto end 150mm is unprecedented for a lens of this zoom ratio.

Most fast zooms are f/2.8 constant, or f/4 variable.

The f/2 start gives you a significant advantage in low light and for creating shallow depth of field.

• Low Light Performance: That f/2 aperture at 35mm is equivalent to a prime lens, allowing you to shoot in challenging lighting conditions without cranking up your ISO to uncomfortable levels. Even at f/2.8 at 150mm, it’s brighter than many standard f/4 telephoto zooms.
• Depth of Field Control: The ability to achieve very shallow depth of field across such a wide range of focal lengths is a huge creative asset. This makes subjects stand out from busy backgrounds, a hallmark of professional-looking images.
• Bust through limitations: For photographers accustomed to f/4 kit lenses or even constant f/2.8 zooms, the f/2 starting point feels liberating. It opens up new possibilities for natural light photography indoors or during twilight hours.

Optical Performance: Sharpness, Bokeh, and Aberrations

When you’re shelling out for a premium lens, optical performance isn’t just a nice-to-have. it’s a must. Lookout Premium Plus Review

The Tamron 35-150mm F/2-2.8 Di III VXD is designed to deliver, and largely succeeds, in providing exceptional image quality across its extensive zoom range.

Let’s break down what makes it shine and where it might show typical zoom lens characteristics.

Edge-to-Edge Sharpness: A Pleasant Surprise

One of the most impressive aspects of the Tamron 35-150mm is its consistent sharpness from the center to the edges of the frame, even wide open.

• Mid-Range 50-100mm: This range is often the sweet spot for many lenses, and the Tamron is no exception. Sharpness remains excellent across the frame, making it ideal for street photography, environmental portraits, and general shooting.
• Telephoto End 150mm: Even at its longest focal length and widest aperture f/2.8, the lens maintains very good sharpness. While there might be a slight dip compared to dedicated primes at 150mm, it easily outperforms most general-purpose zooms. Critical portrait work at 150mm f/2.8 yields sharp eyes and beautifully soft backgrounds.
• Real-world performance: Many users report that images are “tack sharp” when reviewing them on high-resolution displays, even after significant cropping. This translates to more flexibility in post-processing and higher quality prints.

Bokeh Quality: Smooth and Creamy

Given its fast aperture, especially at the telephoto end, the quality of the background blur bokeh is a critical factor for many photographers, particularly portrait and event shooters.

The Tamron 35-150mm generally delivers a pleasing bokeh.

• Smooth Transitions: The lens renders out-of-focus areas smoothly, without harsh edges or distracting artifacts. This helps your subject stand out beautifully from the background.
• Circular Highlights: Thanks to its 9-blade diaphragm, specular highlights in the background are generally rendered as soft, pleasing circles, especially when shot wide open. As you stop down, these may start to take on the polygonal shape of the aperture blades, but for most portrait applications, you’ll be shooting at f/2.8 or wider.
• Minimal “Onion Ring” Effect: Some lenses with complex aspherical elements can exhibit an “onion ring” effect in bokeh highlights, but the Tamron largely avoids this, contributing to its smooth rendering.
• Consistency: The quality of the bokeh remains quite consistent across the zoom range, allowing for predictable results whether you’re shooting at 50mm or 150mm.

Controlling Aberrations: Managing Chromatic Aberration and Flare

No lens is perfect, and managing optical aberrations is key to overall image quality.

The Tamron 35-150mm does a commendable job in this regard.

• Chromatic Aberration CA: Both longitudinal LoCA and lateral LaCA chromatic aberrations are well-controlled. You might see some minor fringing in extremely high-contrast situations, particularly at wider apertures, but it’s typically easily corrected in post-processing and rarely distracting in real-world use. Tamron’s optical design, incorporating special lens elements, plays a significant role in minimizing these color fringing issues.
• Vignetting: Like many fast lenses, the Tamron 35-150mm exhibits some vignetting darkening of corners at its widest apertures, especially at 35mm f/2 and 150mm f/2.8. However, this is largely correctable in-camera if your camera supports it or in post-processing software. For many portrait shooters, a subtle vignette can even be desirable.
• Flare Resistance: The lens features Tamron’s BBAR-G2 Broad-Band Anti-Reflection Generation 2 coating, which is designed to suppress ghosting and flare. In most shooting conditions, the lens performs admirably against direct light sources. You might induce some minor flare or ghosting if shooting directly into the sun at certain angles, but it’s generally well-controlled and often produces aesthetically pleasing starbursts when stopped down.
• Distortion: Barrel distortion is present at the wide end 35mm and transitions to pincushion distortion at the telephoto end 150mm, which is typical for a zoom lens with such a broad range. Modern mirrorless cameras and post-processing software often have built-in lens profiles that automatically correct these distortions, making them a non-issue for most users. For critical architectural work, manual correction might be preferred.

Autofocus Performance: Speed, Accuracy, and the VXD Motor

The Tamron 35-150mm F/2-2.8 Di III VXD incorporates Tamron’s VXD Voice-coil eXtreme-torque Drive linear motor mechanism, which is designed for high-speed, high-precision AF, making it an excellent match for Sony’s advanced autofocus systems.

The Power of VXD: Fast and Silent

The VXD motor is a key differentiator for Tamron’s modern lenses.

Unlike traditional rotational motors, linear motors move lens elements directly along a straight line, offering several advantages. Samsung Galaxy S22 Plus Review

• Blazing Speed: The VXD system allows for incredibly rapid focusing. From minimum focus distance to infinity, the lens snaps into focus with minimal hesitation. This is crucial for capturing fleeting moments in sports, wildlife though this lens isn’t a dedicated wildlife optic, or fast-moving children.
• Pinpoint Accuracy: Speed without accuracy is useless. The VXD motor, combined with precise positional sensors, ensures that focus is not only fast but also consistently accurate. This is particularly important with shallow depth of field shots at f/2 or f/2.8, where even a slight misfocus can ruin an image. Many users report excellent hit rates even with demanding eye-AF or tracking modes.
• Whisper-Quiet Operation: One of the most significant benefits of the linear motor is its near-silent operation. This makes the Tamron 35-150mm an outstanding choice for video work, where motor noise can be a major distraction. Even during rapid focus transitions, you’ll barely hear a peep.
• Smooth Transitions for Video: For videographers, the smooth, silent focus transitions are a huge plus. The lens avoids the jarring focus jumps or noisy shifts often associated with older or less sophisticated AF systems.

Real-World AF Performance: Tracking and Low Light

How does this theoretical advantage translate to practical shooting? Extremely well.

• Subject Tracking: When paired with a capable camera body like the Sony a7 IV or a1, the Tamron 35-150mm keeps up impressively with moving subjects. Whether it’s a child running, a dancer on stage, or a moving vehicle, the lens locks on and maintains focus with remarkable tenacity. This makes it a viable option for photojournalism and event photography where subjects are rarely static.
• Low Light AF: The fast f/2-2.8 aperture significantly aids autofocus performance in challenging low-light conditions. More light reaching the sensor’s AF points means the camera can acquire focus faster and more reliably. While no lens can magically focus in pitch black, the Tamron performs admirably in dimly lit interiors or at dusk, places where slower lenses might struggle.
• Compatibility with Camera AF Features: The lens is fully compatible with Sony’s advanced autofocus features, including:
  • Real-time Tracking: The camera’s AI-based tracking system works seamlessly with the Tamron, allowing you to simply select a subject and let the camera and lens do the heavy lifting of maintaining focus.
  • Eye AF Human and Animal: This crucial feature for portrait photographers is fully supported and works effectively, ensuring sharp focus on the subject’s eyes even when they move.
  • DMF Direct Manual Focus: Allows for immediate manual override after autofocus is achieved, providing fine-tuning control when needed.
• Focus Breathing: For videographers, focus breathing the slight change in focal length or angle of view as focus is pulled is a consideration. While some Tamron lenses have been known to exhibit this, the 35-150mm shows relatively minimal focus breathing. It’s not perfectly corrected like some cinema lenses, but it’s well within acceptable limits for most video applications.

Build Quality and Ergonomics: A Premium Feel

When you invest in a professional-grade lens, you expect it to feel robust, well-made, and comfortable to use.

The Tamron 35-150mm F/2-2.8 Di III VXD largely delivers on this front, offering a premium build quality and thoughtful ergonomic design, albeit with the inherent trade-off of its size and weight.

Solid Construction: Built to Last

Tamron has significantly upped its game in recent years regarding build quality, and this lens is a prime example.

• High-Quality Materials: The lens features a combination of high-grade plastics and metal components. The barrel feels solid with no discernible flex or creaks. It inspires confidence that it can withstand the rigors of professional use.
• Weather Sealing: Crucially for professional photographers who shoot in varying conditions, the 35-150mm incorporates moisture-resistant construction with seals at key points, including the lens mount and zoom/focus rings. This provides a good level of protection against dust and splashes, allowing you to shoot in light rain or dusty environments without undue worry. However, remember that “weather-resistant” does not mean “waterproof,” so don’t submerge it!
• Fluorine Coating: The front element is treated with a fluorine coating, which repels oil and water, making it easier to clean fingerprints, smudges, and dirt. This is a practical feature that saves time and effort in the field.
• Zoom Mechanism: The zoom ring is substantial and operates smoothly with just the right amount of dampening, preventing zoom creep while still allowing for quick adjustments. The lens extends as you zoom towards 150mm, which is common for lenses of this type.

Ergonomics: Handling the Beast

There’s no denying it: the Tamron 35-150mm is a large and relatively heavy lens, weighing in at approximately 1,165g around 2.5 lbs. This is an unavoidable consequence of its wide aperture and extensive zoom range.

• Size and Weight: When mounted on a full-frame mirrorless camera like a Sony a7 series, it creates a significant, front-heavy setup. For some, especially those with smaller hands or using smaller camera bodies, this might feel unwieldy.
• Balance: On larger camera bodies with substantial grips e.g., Sony a7R V, a1, or an a7 body with a battery grip, the balance feels more natural. It’s a lens that demands two hands for comfortable and stable operation, particularly at the telephoto end.
• Controls and Rings:
  • Zoom Ring: Located closer to the camera body, it’s wide and deeply ribbed, providing excellent grip. Its smooth operation makes precise focal length adjustments easy.
  • Focus Ring: Positioned towards the front of the lens, it’s also well-sized and has a smooth, well-damped rotation, perfect for manual focusing or fine-tuning with DMF. It’s a “focus-by-wire” system, meaning there’s no direct mechanical link to the focus elements.
  • Customizable Buttons: A standout ergonomic feature is the inclusion of three customizable focus hold buttons arranged around the barrel. These can be programmed via the Tamron Lens Utility software to perform various functions like AF/MF toggle, focus preset, or even switch custom settings, greatly enhancing workflow efficiency.
  • USB-C Port: A major innovation is the USB-C port directly on the lens barrel. This allows for direct connection to a computer to update firmware and customize lens functions using the Tamron Lens Utility software, eliminating the need for a separate TAP-in Console. This is a huge convenience for users.
  • AF/MF Switch: A physical switch for toggling between autofocus and manual focus is present, which is always appreciated for quick mode changes without into camera menus.
  • Lock Switch: A lock switch is included to prevent zoom creep when the lens is carried facing downwards, though in practice, zoom creep is minimal on this lens due to the well-damped zoom ring.

Overall, despite its heft, the Tamron 35-150mm feels like a professional tool.

Its solid construction, weather sealing, and thoughtful control layout make it a reliable companion for demanding shooting assignments.

It’s not a lens you throw in a tiny sling bag for a casual stroll, but it’s a lens you intentionally pack when you mean business.

Tamron Lens Utility: Customization and Firmware Updates

In the world of modern lenses, it’s not just about the glass and the motor anymore.

Software plays an increasingly vital role in maximizing performance and adapting the lens to your specific workflow. Epson Workforce St C4100 Supertank Color Mfp Review

Tamron has truly embraced this with their “Tamron Lens Utility” software, which is a major advantage for the 35-150mm F/2-2.8 Di III VXD.

Direct Connection and Seamless Updates

One of the most innovative features of the Tamron 35-150mm is the integrated USB-C port directly on the lens barrel. This is a must.

• No More TAP-in Console: Historically, Tamron users needed to purchase a separate TAP-in Console to update firmware or customize lens functions. With the 35-150mm and other newer Tamron lenses, you simply plug the lens directly into your computer using a standard USB-C cable. This saves money, reduces clutter, and makes the process incredibly straightforward.
• Effortless Firmware Updates: Keeping your lens’s firmware up to date is crucial for compatibility with new camera bodies, improved autofocus performance, and bug fixes. The Tamron Lens Utility makes this a breeze. You connect the lens, launch the software, and it will check for and apply any available updates. This ensures your lens is always performing at its best and is optimized for the latest camera technologies.

Unlocking Customization: Tailoring Your Lens

Beyond firmware updates, the Tamron Lens Utility allows you to personalize several aspects of the lens’s operation, making it feel truly tailored to your shooting style.

• Custom Button Assignment: The three custom focus hold buttons on the lens barrel can be assigned various functions, significantly enhancing your shooting experience. This is where the real power of customization comes in. Here are some of the popular functions you can assign:
  • A-B Focus: This allows you to set two specific focus points and transition smoothly between them at a defined speed. Ideal for videographers for rack focusing or for photographers wanting to quickly shift focus between two subjects.
  • Focus Preset: Program a specific focus distance e.g., infinity, or a common portrait distance and instantly snap to it with a button press. Great for street photography or astrophotography.
  • AF/MF Switch: Toggle between autofocus and manual focus with a single button press.
  • Assign from Camera: Allow the camera to assign a function to the button e.g., Eye AF, AF On, AEL.
  • Ring Function Switch: Allows you to change the function of the focus ring, for example, to control aperture or ISO. This is a powerful feature for video shooting or specific photographic scenarios.
• Manual Focus Ring Settings: You can adjust the responsiveness of the manual focus ring:
  • Non-linear Standard: The default setting, where the focus throw depends on the speed of rotation. Faster rotation means larger focus adjustments.
  • Linear: The focus throw is directly proportional to the rotation angle, regardless of speed. This provides a more consistent and precise manual focusing experience, favored by videographers.
• Focus Limiter: For situations where you know your subject will be within a certain distance range e.g., portraits vs. distant subjects, you can set a focus limiter to prevent the lens from hunting across its entire focus range, potentially speeding up AF in those specific scenarios.
• Soft Focus/Hard Focus: While not a true artistic effect, this allows you to fine-tune the focus ring’s responsiveness slightly for either softer or harder turns.

The Tamron Lens Utility truly elevates the 35-150mm from just a piece of hardware to a dynamic, adaptable tool.

It’s a prime example of how software integration can add significant value to photographic equipment.

Comparisons and Alternatives: Where Does It Stand?

The Tamron 35-150mm F/2-2.8 Di III VXD is a unique beast, so direct comparisons are tricky.

It carves out its own niche, but understanding its position relative to other popular lenses can help you decide if it’s the right fit for your kit.

The “One Lens” Philosophy vs. Primes

This lens is built around the idea of minimizing lens changes.

It aims to replace a bag full of fast primes or a combination of standard and telephoto zooms.

• Vs. Fast Primes e.g., Sony 35mm f/1.4 GM, 50mm f/1.2 GM, 85mm f/1.4 GM, 135mm f/1.8 GM:
  • Pros of Primes: Typically offer wider maximum apertures f/1.2, f/1.4, f/1.8 for even shallower depth of field and superior low-light performance. Often have a slight edge in optical perfection corner-to-corner sharpness, minimal aberrations. Smaller and lighter individually.
  • Pros of Tamron 35-150mm: Unparalleled versatility – one lens covers the range of several primes. Eliminates lens changes, reducing dust on sensor and saving time. Cost-effective compared to buying multiple high-end GM primes.
  • Verdict: If absolute optical perfection and the widest possible aperture are paramount, and you don’t mind changing lenses, primes are king. But if versatility, speed of shooting, and reducing bulk are key, the Tamron is incredibly compelling. It gets close enough to prime quality for most professional applications.

Vs. Standard Zooms e.g., Sony 24-70mm f/2.8 GM II, Sigma 24-70mm f/2.8 DG DN Art

• Pros of Tamron 35-150mm: Extends significantly further on the telephoto end 150mm vs. 70mm, offering much more reach for portraits, events, and isolating subjects. Faster aperture at the wide end f/2 vs. f/2.8.
• Verdict: If you absolutely need that 24mm wide angle, a 24-70mm is essential. However, if 35mm is wide enough for your needs, the Tamron offers far greater versatility and reach, potentially eliminating the need for a separate telephoto zoom. Many photographers pair the Tamron 35-150mm with an ultra-wide zoom e.g., 16-35mm to cover all bases.

Vs. Telephoto Zooms e.g., Sony 70-200mm f/2.8 GM II

• Pros of Telephoto Zooms: Longer reach 200mm vs. 150mm, which is crucial for sports, wildlife, or distant subjects. Often feature built-in optical stabilization though the Tamron relies on IBIS.
• Pros of Tamron 35-150mm: Starts at 35mm, offering wide-angle capabilities. Faster aperture at the wide end f/2 vs. f/2.8. Much more versatile for general shooting due to its broad range.
• Verdict: If you specifically need 200mm or beyond for specialized work, a 70-200mm is still necessary. But for event and portrait work where 150mm is sufficient, the Tamron’s ability to cover the 35-70mm range makes it incredibly appealing, potentially replacing two lenses a 24-70mm and a 70-200mm, albeit with some compromise on the telephoto end.

The “All-in-One” Lens Category e.g., Tamron 28-200mm f/2.8-5.6 Di III RXD

• Pros of All-in-One Lenses: Extreme versatility with very wide to very long reach. Often more compact and lighter than the 35-150mm.
• Pros of Tamron 35-150mm: Significantly faster aperture f/2-2.8 vs. f/2.8-5.6, resulting in better low-light performance and much shallower depth of field. Superior optical quality overall, especially wide open.
• Verdict: For ultimate convenience and travel where size and weight are paramount and aperture isn’t critical, an all-in-one superzoom is fine. But for professional results, especially in challenging light or when background separation is key, the 35-150mm is in a different league. It sacrifices some ultimate reach for vastly improved aperture and image quality.

In essence, the Tamron 35-150mm F/2-2.8 stands as a unique “event lens” or “workhorse lens” that aims to be the only lens you need for a significant portion of your professional work. Its primary competition isn’t a single lens, but rather the combination of lenses it seeks to replace. Its strength lies in its ability to offer high-quality results across a critical focal range with a fast aperture, minimizing the need for lens changes and maximizing shooting efficiency. Asus Vivobook Pro 16X Oled Review

Use Cases and Ideal User: Is This Lens for You?

The Tamron 35-150mm F/2-2.8 Di III VXD is a powerhouse lens, but it’s not for everyone.

Its unique combination of focal length and aperture caters to specific types of photographers and shooting scenarios.

Understanding its ideal use cases will help you determine if it’s the right investment for your kit.

Who is this Lens For? The Ideal User Profile

• Event Photographers Weddings, Concerts, Conferences: This is arguably the primary target audience. The ability to go from a wide shot of a venue 35mm to a tight shot of a speaker or performer 150mm with an f/2-2.8 aperture, all without changing lenses, is incredibly efficient. It allows you to adapt to rapidly changing scenes, capture emotional moments, and work in challenging low-light conditions.
• Portrait Photographers: With classic portrait focal lengths like 50mm, 85mm, 105mm, and 135mm combined with fast apertures, the 35-150mm is a dream for portrait work. It allows for beautiful subject isolation, creamy bokeh, and the flexibility to adjust framing quickly without moving your feet. You can shoot full-body, environmental portraits, then punch in for headshots, all with a single lens.
• Photojournalists and Documentary Photographers: When quick reactions and minimal gear changes are crucial, this lens shines. It allows for capturing context 35mm and then isolating individuals or details 150mm within a story, making it highly adaptable for dynamic, unfolding narratives.
• Travel Photographers Specific Niche: While large and heavy, some travel photographers might appreciate its versatility, effectively replacing a standard zoom and a short telephoto. It’s ideal for those who prioritize image quality and fast apertures over ultimate portability. If you’re traveling light but want to be ready for diverse photographic opportunities, this could be your one-lens solution.
• Advanced Enthusiasts and Semi-Professionals: If you’re serious about your photography and want a versatile, high-performing lens that can handle a wide array of situations, the 35-150mm offers significant value. It can elevate your photography by providing professional-grade optical quality and speed.
• Videographers: The silent VXD autofocus motor, minimal focus breathing, and the versatile focal range make this lens an excellent choice for video shooters who need flexibility on set. The fast aperture is also a huge benefit for controlling depth of field in video.

Where Does It Excel? Key Use Cases

• Low Light Shooting: The f/2-2.8 aperture is a massive advantage in dimly lit environments, allowing for lower ISO settings and faster shutter speeds.
• Subject Isolation: The fast aperture combined with the longer focal lengths creates beautiful background blur, making subjects pop.
• Dynamic Environments: Situations where you can’t predict your next shot, or where constant lens changes are impractical or impossible e.g., crowded events, moving subjects.
• Reducing Gear Weight in a specific way: While the lens itself is heavy, it often means you don’t need to carry multiple prime lenses e.g., 35mm, 50mm, 85mm, 135mm or a separate standard zoom and a 70-200mm. This can lead to a lighter bag overall if you’re replacing several optics.
• Workflow Efficiency: Fewer lens changes mean less dust on your sensor and more time focusing on capturing images.

Who Might Not Be the Ideal User?

• Budget-Conscious Photographers: This is a premium lens with a premium price tag. There are more affordable standard zooms or prime lenses available if budget is a primary concern.
• Extreme Portability Seekers: If your priority is a tiny, lightweight setup for casual shooting or backpacking, the size and weight of the 35-150mm might be a deterrent.
• Action/Sports Photographers needing Extreme Reach: While 150mm is great for many things, it’s often not long enough for professional sports or distant wildlife where 200mm, 300mm, or even 400mm+ telephoto lenses are necessary.
• Videographers Requiring Parfocal Zooms: While focus breathing is minimal, the lens is not parfocal, meaning the focus point might shift slightly as you zoom. For highly critical video work with manual zoom moves, a true cinema zoom lens might be preferred.

Ultimately, the Tamron 35-150mm F/2-2.8 Di III VXD is a specialized workhorse.

It sacrifices some portability and extreme wide/telephoto reach in favor of an unmatched combination of fast aperture and versatile zoom range, making it an indispensable tool for photographers who need to adapt quickly and deliver high-quality results in diverse, often challenging, shooting environments.

Maintenance and Care: Keeping Your Investment Pristine

A lens like the Tamron 35-150mm F/2-2.8 Di III VXD is a significant investment, and like any high-performance tool, it requires proper care and maintenance to ensure its longevity and continued optical excellence.

Neglecting routine cleaning and handling can lead to diminished image quality and potentially costly repairs.

Routine Cleaning: The Essentials

Regular, gentle cleaning is your first line of defense against dust, smudges, and dirt.

• Blower Brush: Always start by using a blower brush to remove loose dust particles from the lens elements and barrel. Never wipe a dusty lens directly, as this can scratch the coatings. A good quality rocket blower is indispensable here.
• Lens Pen/Soft Brush: For stubborn dust or lint, a lens pen with a retractable brush or a very soft, clean camel hair brush can be used carefully.
• Microfiber Cloth and Lens Cleaning Solution: For fingerprints, smudges, or more persistent grime, use a dedicated microfiber lens cleaning cloth never use clothing or paper towels and a few drops of a specialized lens cleaning solution. Apply the solution to the cloth, not directly to the lens, and gently wipe in a circular motion from the center outwards.
• Body and Mount: Don’t forget to wipe down the lens barrel and the lens mount area regularly with a clean, dry microfiber cloth to remove dust and debris. This helps prevent dirt from entering the camera body when changing lenses.

Storage: Protecting from the Elements

Proper storage is crucial, especially in varying climates.

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• Lens Cap and Rear Cap: Always keep the front and rear lens caps on when the lens is not in use. This protects the delicate front and rear elements from dust, scratches, and impacts.
• Lens Hood: The included lens hood offers additional protection against accidental bumps and helps reduce flare. It’s good practice to keep it mounted when carrying the lens.
• Dry and Cool Environment: Store your lens in a dry, cool place, away from direct sunlight, extreme temperatures, and high humidity. High humidity can lead to fungal growth mold on the lens elements, which can be very difficult and expensive to remove.
• Silica Gel Packs: In humid climates, consider using silica gel packs in your camera bag or storage cabinet to absorb moisture. Replace or recharge them periodically.
• Camera Bag/Case: When transporting the lens, always use a padded camera bag or case that provides adequate protection against impacts. Ensure the lens fits snugly to prevent excessive movement.

Handling Best Practices: Small Habits, Big Impact

• Two-Handed Support: Due to its size and weight, always support the Tamron 35-150mm with two hands when operating the camera, especially at the telephoto end. This prevents strain on the lens mount and improves stability.
• Avoid Extreme Temperatures: Rapid changes in temperature can cause condensation inside the lens. If moving from a cold to warm environment, place your camera bag with lens inside in a sealed plastic bag before entering the warmer area. Allow it to gradually come to room temperature before opening.
• Protect from Impacts: While weather-sealed, lenses are not indestructible. Avoid dropping your lens or subjecting it to harsh impacts.
• Professional Servicing: If you notice internal dust, fungus, or experience persistent issues with autofocus or image quality that cannot be resolved with basic troubleshooting, it’s best to send the lens to an authorized Tamron service center for professional cleaning or repair. Attempting to disassemble a modern lens yourself is highly discouraged.

By integrating these simple maintenance and care practices into your routine, you can ensure your Tamron 35-150mm F/2-2.8 Di III VXD remains in excellent condition, providing you with years of superb photographic performance. Treat your gear well, and it will serve you well.

Frequently Asked Questions

Is the Tamron 35-150mm F2 28 Di III VXD a good lens for portraits?

Yes, the Tamron 35-150mm F/2-2.8 Di III VXD is an excellent lens for portraits due to its versatile focal range covering classic portrait lengths like 50mm, 85mm, 105mm, 135mm and its fast f/2-2.8 aperture, which allows for beautiful background separation and creamy bokeh.

What cameras are compatible with the Tamron 35-150mm F2 28 Di III VXD?

The Tamron 35-150mm F/2-2.8 Di III VXD is designed for Sony E-mount full-frame mirrorless cameras.

It is compatible with all Sony Alpha full-frame mirrorless bodies e.g., a7, a7R, a7S, a9, a1 series and will also work in APS-C crop mode on those bodies or on APS-C bodies like the a6000 series, albeit with a crop factor.

Is the Tamron 35-150mm weather sealed?

Yes, the Tamron 35-150mm F/2-2.8 Di III VXD features moisture-resistant construction with seals at key points, including the lens mount and zoom/focus rings, providing good protection against dust and light moisture.

How heavy is the Tamron 35-150mm F2 28 Di III VXD?

The Tamron 35-150mm F/2-2.8 Di III VXD weighs approximately 1,165g 2.57 lbs. This makes it a substantial lens, but its weight is understandable given its fast aperture and broad zoom range.

Does the Tamron 35-150mm have image stabilization?

No, the Tamron 35-150mm F/2-2.8 Di III VXD does not have built-in optical image stabilization Vibration Compensation. It relies on the in-body image stabilization IBIS present in most modern Sony Alpha mirrorless cameras.

What is the autofocus performance like on the Tamron 35-150mm?

The autofocus performance of the Tamron 35-150mm F/2-2.8 Di III VXD is excellent.

It utilizes Tamron’s VXD Voice-coil eXtreme-torque Drive linear motor, which provides fast, accurate, and whisper-quiet focusing, making it suitable for both stills and video, even with demanding subject tracking.

Does the Tamron 35-150mm suffer from focus breathing?

The Tamron 35-150mm F/2-2.8 Di III VXD exhibits relatively minimal focus breathing. Epson Expression Photo Xp 8700 Wireless All In One Review

While not perfectly corrected like dedicated cinema lenses, it’s generally well-controlled and acceptable for most video applications.

Can I use filters on the Tamron 35-150mm F2 28 Di III VXD?

Yes, the Tamron 35-150mm F/2-2.8 Di III VXD has a 82mm front filter thread, allowing you to use a wide variety of filters such as UV, polarizers, and neutral density filters.

What is the closest focusing distance of the Tamron 35-150mm?

The minimum focusing distance of the Tamron 35-150mm F/2-2.8 Di III VXD is 0.33m 13 inches at the 35mm wide end and 0.85m 33.5 inches at the 150mm telephoto end.

Is the Tamron 35-150mm sharp wide open?

Yes, the Tamron 35-150mm F/2-2.8 Di III VXD is impressively sharp even wide open across its zoom range, from the center to the edges of the frame.

What does VXD stand for in Tamron lenses?

VXD stands for Voice-coil eXtreme-torque Drive, which is Tamron’s linear motor autofocus mechanism known for its high speed, precision, and quiet operation.

Is the Tamron 35-150mm a good lens for video?

Yes, the Tamron 35-150mm is an excellent lens for video due to its silent VXD autofocus, versatile focal range, minimal focus breathing, and fast aperture for low light and depth of field control.

Does the Tamron 35-150mm have a customizable button?

Yes, the Tamron 35-150mm F/2-2.8 Di III VXD features three customizable focus hold buttons on the lens barrel that can be programmed via the Tamron Lens Utility software.

How do I update the firmware on the Tamron 35-150mm?

You can update the firmware on the Tamron 35-150mm F/2-2.8 Di III VXD by connecting the lens directly to your computer via its built-in USB-C port and using the Tamron Lens Utility software.

What is the Tamron Lens Utility?

The Tamron Lens Utility is a software application that allows users to customize various lens functions like custom button assignments, focus ring settings and update firmware for compatible Tamron lenses directly via a USB-C connection.

Can the Tamron 35-150mm replace prime lenses?

The Tamron 35-150mm F/2-2.8 Di III VXD can effectively replace several fast prime lenses for many photographers, offering exceptional versatility and high image quality, though dedicated primes might still offer slightly wider apertures or marginally superior optical perfection. Samsung Galaxy S22 Review

Is the Tamron 35-150mm suitable for low light photography?

Yes, with its f/2 aperture at 35mm and f/2.8 at 150mm, the Tamron 35-150mm is highly suitable for low light photography, allowing for lower ISOs and faster shutter speeds compared to slower zooms.

Does the Tamron 35-150mm come with a lens hood?

Yes, the Tamron 35-150mm F/2-2.8 Di III VXD typically comes with a petal-shaped lens hood included in the box.

How does the Tamron 35-150mm compare to a 24-70mm f/2.8 lens?

The choice depends on whether you prioritize wide-angle or telephoto versatility.

Is the Tamron 35-150mm a good lens for travel photography?

While its size and weight are a consideration, its extreme versatility can make it a good single-lens solution for travel photographers who prioritize image quality and fast apertures over ultimate portability.

Does the Tamron 35-150mm have a zoom lock switch?

Yes, the Tamron 35-150mm F/2-2.8 Di III VXD includes a lock switch to prevent zoom creep, though the zoom ring is well-damped and zoom creep is generally minimal.

What is the aperture range of the Tamron 35-150mm?

The Tamron 35-150mm F/2-2.8 Di III VXD has a variable maximum aperture of f/2 at the 35mm end and f/2.8 at the 150mm end.

The minimum aperture is f/16 at 35mm and f/22 at 150mm.

How many aperture blades does the Tamron 35-150mm have?

The Tamron 35-150mm F/2-2.8 Di III VXD features a 9-blade circular diaphragm, which contributes to smooth and pleasing bokeh.

Is the Tamron 35-150mm a parfocal lens?

No, the Tamron 35-150mm F/2-2.8 Di III VXD is not a parfocal lens.

Like most still photography zooms, the focus point may shift slightly when zooming. Dell Optiplex 3090 Small Form Factor Review

What is the maximum magnification ratio of the Tamron 35-150mm?

The maximum magnification ratio for the Tamron 35-150mm F/2-2.8 Di III VXD is 1:5.7 at the 35mm wide end when focused at 0.33m, allowing for decent close-up capabilities.

Can I use the Tamron 35-150mm on an APS-C camera?

Yes, you can mount the Tamron 35-150mm F/2-2.8 Di III VXD on a Sony APS-C E-mount camera.

However, it will behave like a 52.5-225mm equivalent lens due to the 1.5x crop factor and may be quite large for smaller APS-C bodies.

Does the Tamron 35-150mm have a manual aperture ring?

No, the Tamron 35-150mm F/2-2.8 Di III VXD does not have a dedicated manual aperture ring. Aperture is controlled via the camera body.

What type of glass elements does the Tamron 35-150mm use?

The Tamron 35-150mm F/2-2.8 Di III VXD incorporates a specialized arrangement of four LD Low Dispersion and three GM Glass Molded Aspherical lens elements to effectively suppress optical aberrations.

Is the Tamron 35-150mm good for astrophotography?

While 35mm at f/2 is decent for wide-field astrophotography, the lens is not specifically designed for it.

Its size and weight might make it less ideal for portable astro setups, and coma correction might not be as perfect as specialized astro primes.

What is the significance of the f/2 aperture at 35mm on this lens?

The f/2 aperture at 35mm is significant because it’s exceptionally fast for a zoom lens, offering superior low-light performance and greater depth of field control compared to standard f/2.8 or f/4 zooms at that focal length.

It effectively acts like a fast prime lens at its widest setting.

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